224 Royalty-Free Audio Tracks for "Macro Analysis"

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

Linear progression in Mozart Piano Sonata in G major.

Elaboration of the tonic arpeggio as prolongation in Chopin, Op. 48, measures 1-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

Elaboration of the tonic arpeggio as prolongation in Bach, BWV 801, measures 3-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Arpeggiation, the first technique of Auskomponierung.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Klangbeispiel eines kurzen Vorschlags (musikalische Verzierung); Instument: Piano

Major version of the theme, with horns playing the melody

Dufay Resvelons nous

March to the Scaffold bars 1-4 for audio

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2

Mussorgsky, the Hut on Fowl's legs

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Erlkonig, arrangement by Berlioz

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Agincourt carol - Deo gracias

Schutz Heu mihi, Domine from Cantiones Sacrae

Ravel Quartet, second movement

Vivaldi, Summer from the Four Seasons, bars 26-30

Brahms Symphony No. 2, finale, bars 135-142

Cloches a travers le feuilles

Tutti statement of the theme.

Beethoven canon from piano sonata in A, Op. 101

Schubert, 'Die Stadt' from Schwanengesang, piano postlude

J.S.Bach from Cantata BWV80 "Ein' feste Burg ist unser Gott", Aria for soprano with oboe obbligato

Hebrides Overture opening theme

Edi beo, English medieval "twinsong"

Solo piano statement of theme in the cadenza

Handel Passacaille from Suite in G minor bars 1-4

Cascading arpeggios on celesta from Sugar Plum Fairy

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

Wagner, Tristan Prelude, closing bars

Erl King - arrangement by Liszt opening bars